It was last October. My cell phone rang while I was road tripping, north through three states, heading home from the Sea Glass Festival. On the line was a producer from the Travel Channel who'd recently learned of the popularity and intrigue of sea glass. She asked, would I consider filming a show with them on "How to Cash-In on Sea Glass".
After a long philosophical discussion about the history, enchantment, story and journey behind each sea glass piece, I kindly shared that "cashing in" wasn't what sea glass was all about and nicely I said "no thank you".
Flash forward another nine months the Travel Channel phoned me once again.
"We'd like to change the story a bit, do an adventure show, follow you in a kayak, interview you about sea glass history, color rarity, the love of collecting."
So I agreed to help with a show where we trek to a remote hunting spot, I do some sharing of the origin of pieces, talk about color and discuss why people love it so much.
I packed a suitcase, took a night flight to San Francisco, grabbed a latte and met "the crew" and huntin buddy, Charles, at a quiet island marina at 8am one summer morning in July.
Since I was unable to fly my big kayak on an airplane, we were given several spiffy new kayaks, donated to our adventure from a local outfitter. The boats awaited us on the marina dock. After hooking on waterproof microphones and sound packs, we ran through a quick show outline. Then all three kayaks floated away from shore and out into the vast, rollicking San Francisco Bay. The TV show's producer, camera crew and sound guy followed us in their zippy Zodiak filming us as we ventured out; around rocky outcroppings, under a bridge, then further into the deeper waters.
After paddling through the fog for about an hour, the wind and chop began push against us. We rounded a point and soon ported on a beach, unloaded crew and gear. Then perfectly, the sun began to shine on our day.
The entire day (I counted 11 hours) was spent on a warm beach; hunting, sharing, watching wildlife and sifting through our pieces. The show's host spent some extra time with me and some of my highly rare pieces which I packed along in my dry bag. We sorted them by color and laid them in our organic environment on a beach log.
The sun began to set so we kayaked back to the marina, gave goodbye hugs and sent the crew on to their next shoot. Though I'm not at all sure what footage they'll cut or keep, the show will air this winter.